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Louise Beavers

Louise Beavers

45 films on Best Blurays1 in 4K15 in HD19 in SD10 with no official release

Louise Beavers photo

Louise Beavers (March 8, 1902 – October 26, 1962) was an American film and television actress. Beavers appeared in dozens of films and two hit television shows from the 1920s until 1960, most often cast in the role of a maid, servant, or slave. She was a native of Cincinnati, Ohio, and a member of Sigma Gamma Rho sorority, one of the four African-American sororities. Beavers was a breakthrough actress for black women and became known as a symbol of a "mammy" on the screen. A mammy archetype "is the portrayal within a narrative framework or other imagery of a black domestic servant, generally good-natured, often overweight, and loud". Louise Beavers started her career in the 1920s. At the time, black people in films were limited to acting in only very few roles, usually as slaves or domestic help. She played the "mammy" in many of the movies she acted in. She started to gain more attention in the acting world after she played the role of Julia in Coquette, which starred Mary Pickford. In this film she played the black maid and mother figure to a young white woman. She once received a review which stated: "Personally, Miss Beavers is just splendid, just as fine as she appears on screen, but she also has a charm all her own, which needs no screen role for recognition. She has a very pleasing personality, one that draws people to her instantly and makes them feel that they are meeting a friend instead of a Hollywood Star." Beavers had an attractive personality, and often played roles in which she helps a white protagonist mature in the course of the movie. In 1934, Beavers played Delilah in Imitation of Life in a dramatic role. Her character again plays a black maid, but instead of the usual stereotypical comedic or purely functional role, Delilah's story line is a secondary parallel plot. The public reacted positively to Beavers' performance. It was not only a breakthrough for Beavers, but was also "the first time in American cinema history that a black woman's problems were given major emotional weight in a major Hollywood motion picture". Some in the media recognized the unfairness of Hollywood's double standard regarding race. For example, California Graphic Magazine wrote, "the Academy could not recognize Miss Beavers. She is black!" As Beavers' career grew, some criticized her for the roles she accepted, alleging that such roles institutionalized the view that blacks were subservient to whites. Beavers dismissed the criticism. She acknowledged the limited opportunities available, but said: "I am only playing the parts. I don't live them." As she became more famous, Beavers began to speak against Hollywood's portrayal and treatment of black Americans, both during production and after promoting the films. Beavers became active in public life, seeking to help support African Americans. In later life, Beavers was plagued by health issues, including diabetes. She died on October 26, 1962, at the age of 60, following a heart attack. Beavers was inducted into the Black Filmmakers Hall of Fame in 1976.

Biography from Wikipedia via TMDB

15 of 45 films match

15 in HD

Blu-ray or HD streaming

Leading role · Director: John M. Stahl

Best English-Friendly & Video:

Universal Blu-ray

Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)

Video Notes:

Universal Blu-ray (2-Movie collection) is marginally better than Criterion, see caps

Supporting role · Director: H. C. Potter

Best English-Friendly:

WB Blu-ray

Best Video:

WB Blu-ray 4k scan

Best Audio:

Amazon Video download

Supporting role · Director: Marion Gering

Best English-Friendly & Video:

Kino Lorber Blu-ray

Supporting role · Director: Victor Fleming

Video format: HD Streaming

Best English-Friendly & Video:

HD Streaming

Supporting role · Director: Leo McCarey

Best English-Friendly & Video:

Criterion Blu-ray

Sources: Criterion Forum (opens in a new tab) · DVDBeaver (opens in a new tab)

Video Notes:

Criterion Blu-ray > MoC Blu-ray which has boosted contrast see caps

Best Audio:

MoC Blu-ray

Small role · Director: Roy Del Ruth

Best English-Friendly & Video:

Warner Archive Blu-ray

Small role · Director: Stephen Roberts

Best English-Friendly & Video:

Criterion Blu-ray

Sources: Criterion Forum (opens in a new tab)

Small role · Director: W.S. Van Dyke

Best English-Friendly & Video:

Warner Archive Blu-ray

Small role · Director: Frederick de Cordova

Best English-Friendly & Video:

Universal Blu-ray

Small role · Director: Lowell Sherman

Best English-Friendly & Video:

Indicator Blu-ray or Kino Lorber Blu-ray

Sources: DVDBeaver (opens in a new tab)

Video Notes:

Judging from other movies in the boxset, Indicator Blu-ray is likely to be minimally better than Kino Lorber Blu-ray see DVDBeaver

Small role · Director: Lloyd Bacon

Best English-Friendly & Video:

Warner Archive Blu-ray

Small role · Director: Josef von Sternberg

Best English-Friendly & Video:

Indicator Blu-ray

Video Notes:

Given that Indicator Blu-ray is encoded by FiM and Kino Lorber uses the same transfer judging from different screenshots, Indicator is most likely to be better encoded.

Show all 15 in HD

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