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Clarke Peters

Clarke Peters

5 Films

Clarke Peters

5 Included Films

Clarke Peters photo

Peter Clarke (born April 7, 1952), known professionally as Clarke Peters, is an American actor, writer, and director, who has spent much of his adult life in the United Kingdom. He is best known for his roles as Lester Freamon in the television series The Wire (2002–2008) and Albert Lambreaux in the television series Treme (2010–2013). He also wrote the book for the musical revue Five Guys Named Moe (1990). Peters is also known for his roles in the films Silver Dream Racer (1980), Endgame (2009), John Wick (2014), Three Billboards Outside Ebbing, Missouri (2017), Harriet (2019), and Da 5 Bloods (2020), the lattermost of which earned him a nomination for the BAFTA Award for Best Actor in a Supporting Role. Peters was born Peter Clarke, the second of four sons, in New York City, and grew up in Englewood, New Jersey. At the age of 12, he had his first theater experience, in a school production of My Fair Lady. He began to have serious ambitions to work in the theater at the age of 14. He graduated from Dwight Morrow High School in 1970. In 1971, Peters' older brother enabled him to work as a costume designer for a production of the musical Hair in Paris, in which Peters later starred. In 1973, Peters moved to London and changed his name to Clarke Peters, because Equity already had a few namesake members. While in London, he formed a soul band, The Majestics, and worked as a backup singer on such hits as "Love and Affection" by Joan Armatrading, "Boogie Nights" by Heatwave, and some David Essex songs. However, music was not Peters' main ambition, and he preferred to work in the theater. His first West End theatre musical roles, which he received with assistance from his friend Ned Sherrin, were I Gotta Shoe (1976) and Bubbling Brown Sugar (1977). Other West End credits include Blues in the Night, Porgy and Bess, The Witches of Eastwick, Guys and Dolls, Chicago, and Chess. Peters starred in the Sean Connery space Western Outland (1981) as the treacherous Sgt. Ballard, and he played an almost wordless role as Anderson, a vicious pimp in Neil Jordan's Mona Lisa (1986). Peters is familiar to television viewers as Detective Lester Freamon in the HBO series The Wire. Peters also starred in the HBO mini-series The Corner, portraying a drug addict named Fat Curt, as well as the FX series Damages, as Dave Pell. Both The Wire and The Corner were created by writer and former The Baltimore Sun journalist David Simon. Peters also stars in Simon's HBO series Treme, in the role of Mardi Gras Indian chief Albert Lambreaux. Peters appeared in two episodes of the American time-travel/detective TV series Life on Mars (2008) as NYPD Captain Fletcher Bellow. He also appeared in the British show Holby City, as Derek Newman, the father of nurse Donna Jackson. He voiced a part in the Doctor Who animated episode Dreamland, and in the In Plain Sight episode "Duplicate Bridge" as a man in Witness Protection named Norman Baker/Norman Danzer. In 2010, Peters read Rita Hayworth and Shawshank Redemption for BBC 7. In that year, he also had a guest appearance as Professor Mark Ramsay in the pilot episode of the USA Network TV series Covert Affairs. From 2012 to 2013, Peters had a recurring role as Alonzo D. Quinn in the CBS TV series Person of Interest.

UHD Blu-ray
Best English-Friendly:

Arrow 4K Blu-ray

Best Video:

Arrow 4K Blu-ray

Outland poster
UHD Blu-ray
Best English-Friendly:

Arrow 4K Blu-ray

Best Video:

Arrow 4K Blu-ray

UHD Blu-ray
Best English-Friendly:

UK Arrow 4K Blu-ray

Best Video:

UK Arrow 4K Blu-ray see AVForum review

The slight darkening of the colour palette with the new WCG/HDR grades suddenly seems to add another layer of detail and immersion into the picture. Now, those dark night times punctured solely by neon or those dreary overcast half-light early mornings or dusks feel more alive with authenticity. Skin tones are gorgeous, the subtlety in colour detail of Hoskins’ atrocious leather jacket/Hawaiian shirt combo is sublime and those all-important blacks go deep. But it’s the now huge variations in colours that stand out – the reds of the Peep Show as Genesis’ classic In Too Deep plays now have a much richer, darker saturation to them than the previous 1080p SDR grade, helping them stand out so much more than those more neutral, toned down colours of the Brighton seaside against the morning skies. It’s a gorgeous colour reproduction from top to bottom.

Detailing is also tightened up significantly – again, the 2K picture was good, but this improves on that with keener lines, sharper edges and a greater sense of delineation in those finest of fine details that add an extra little touch of depth to the picture. Add to this another beautiful grain presentation – with organic looks and movement throughout - and it’s an image where its edges match the brilliance of its colouring.

... and the encode – courtesy of Fidelity in Motion – is absolutely rock solid. Hope were not high for this over the very good 2K edition, but I am very pleased to say that those hopes were well and truly exceeded: Mona Lisa on 4K looks absolutely stellar

Best Audio:

US Criterion Blu-ray

Mona Lisa poster
UHD Blu-ray
Best English-Friendly:

UK Arrow 4K Blu-ray

Best Video:

UK Arrow 4K Blu-ray see AVForum review

The slight darkening of the colour palette with the new WCG/HDR grades suddenly seems to add another layer of detail and immersion into the picture. Now, those dark night times punctured solely by neon or those dreary overcast half-light early mornings or dusks feel more alive with authenticity. Skin tones are gorgeous, the subtlety in colour detail of Hoskins’ atrocious leather jacket/Hawaiian shirt combo is sublime and those all-important blacks go deep. But it’s the now huge variations in colours that stand out – the reds of the Peep Show as Genesis’ classic In Too Deep plays now have a much richer, darker saturation to them than the previous 1080p SDR grade, helping them stand out so much more than those more neutral, toned down colours of the Brighton seaside against the morning skies. It’s a gorgeous colour reproduction from top to bottom.

Detailing is also tightened up significantly – again, the 2K picture was good, but this improves on that with keener lines, sharper edges and a greater sense of delineation in those finest of fine details that add an extra little touch of depth to the picture. Add to this another beautiful grain presentation – with organic looks and movement throughout - and it’s an image where its edges match the brilliance of its colouring.

... and the encode – courtesy of Fidelity in Motion – is absolutely rock solid. Hope were not high for this over the very good 2K edition, but I am very pleased to say that those hopes were well and truly exceeded: Mona Lisa on 4K looks absolutely stellar

Best Audio:

US Criterion Blu-ray

UHD Blu-ray
Best English-Friendly:

Universal 4K Blu-ray

Best Audio:

Original 5.1: US/UK Universal Blu-ray
Atmos remix: Universal 4K Blu-ray

See audio comparison

Additional Info:

US version has a different end credits song than the UK version

Best English-Friendly:

Universal 4K Blu-ray

Best Audio:

Original 5.1: US/UK Universal Blu-ray
Atmos remix: Universal 4K Blu-ray

See audio comparison

Additional Info:

US version has a different end credits song than the UK version

1080p Blu-ray
Best English-Friendly:

US Kino Lorber Blu-ray

Best Video:

US Kino Lorber Blu-ray

K-PAX poster
1080p Blu-ray
Best English-Friendly:

US Kino Lorber Blu-ray

Best Video:

US Kino Lorber Blu-ray

UHD Blu-ray
Best English-Friendly:

Lionsgate/Titans of Cult 4K Blu-ray

Best Video:

Lionsgate 4K Blu-ray (Titans of Cult 4K Blu-ray has Dolby Vision)

Best English-Friendly:

Lionsgate/Titans of Cult 4K Blu-ray

Best Video:

Lionsgate 4K Blu-ray (Titans of Cult 4K Blu-ray has Dolby Vision)

5 films

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