H.B. Warner
19 Films
H.B. Warner
19 Included Films

Henry Byron Warner (often credited as H.B. Warner; 25 October 1875 – 21 December 1958) was an English actor. He was the definitive cinematic Jesus Christ in Cecil B. DeMille's The King of Kings (1927). He was born into a prominent theatrical family on October 26, 1875 in London. His father was Charles Warner, and his grandfather was James Warner, both prominent English actors. He replaced J.B. Warner as Jesus in The King of Kings (1927) when J.B. died of tuberculosis at age 29. (J.B. was not Henry's brother. J.B. had taken the professional last name "Warner" because Henry's family took him in.) Henry Warner's family wanted him to become a doctor, and he graduated from London University but eventually gave up his medical studies. The theater was in his blood, and he studied acting in Paris and Italy before joining his father's stock company, making his debut in the English production of "Drink." It was from his father that he honed his craft. Warner made it to America in the early 1900s, after touring the British Empire. Billed as Harry Warner, he made his Broadway debut in the American colonial drama "Audrey" at Hoyt's Theatre on November 24, 1902, starring James O'Neill, the father of playwright Eugene O'Neill. He was billed as H.B. Warner in his next appearance on Broadway, in the 1906 comedy "Nurse Marjorie." He appeared in 13 more Broadway productions in his career, from the twin-bill of "Susan in Search of a Husband" & "A Tenement Tragedy" (also 1906) to "Silence" in 1925. He moved into motion pictures, making his debut in the Mutual short Harp of Tara (1914). Also in 1914, he appeared in a film written by Cecil B. DeMille for Famous Players Lasky, The Ghost Breaker (1914), in which he had played on Broadway the year before. Warner became a leading man and a star in silent pictures, reaching the zenith of his career playing Jesus in DeMille's The King of Kings (1927). His excellent performance was actually enhanced by the silent screen, allowing the audience to imagine how Jesus would sound. Warner could be extremely moving in silent pictures, notably in the melodrama Sorrell and Son (1927) as a war veteran father who sacrifices all for his son. When talkies arrived, he became a busy supporting player. A favorite of Frank Capra , appeared in Mr. Deeds Goes to Town (1936). Cast again by Capra, he was nominated for Best Supporting Actor in Lost Horizon (1937). He also appeared in You Can't Take It with You (1938), and Mr. Smith Goes to Washington (1939). Other major talkies included The Devil and Daniel Webster (1941) and Topper Returns (1941). Other than Jesus, the role he is best remembered role for today is in It's a Wonderful Life (1946), in which he played Mr. Gower, the druggist who is saved from committing a lethal medication error by the young George Bailey (the James Stewart character as a child). H.B. Warner appeared in Sunset Blvd. (1950) as himself. His last credited role was as Amminadab in DeMille's The Ten Commandments (1956), a remake of the earlier silent The Ten Commandments (1923). He last role was an uncredited bit part in Darby's Rangers (1958).

Director: Allan Dwan

Director: Allan Dwan

Director: Cecil B. DeMille
Flicker Alley Blu-ray (encoded by FiM) has much better encoding than Lobster Films Blu-ray, see DVDBeaver caps

Director: Cecil B. DeMille
Flicker Alley Blu-ray (encoded by FiM) has much better encoding than Lobster Films Blu-ray, see DVDBeaver caps

From Wikipedia:
The film survives complete. A mute print was transferred onto 16mm film by Associated Artists Productions in the 1950s. The Vitaphone soundtrack was lost until 2004 and restored to the film by the UCLA Film and Television Archive. A 16mm copy is housed at the Wisconsin Center for Film and Theater Research. Also listed as being incomplete at the Library of Congress.

From Wikipedia:
The film survives complete. A mute print was transferred onto 16mm film by Associated Artists Productions in the 1950s. The Vitaphone soundtrack was lost until 2004 and restored to the film by the UCLA Film and Television Archive. A 16mm copy is housed at the Wisconsin Center for Film and Theater Research. Also listed as being incomplete at the Library of Congress.

Director: Frank Borzage

Director: Frank Borzage

Director: Mervyn LeRoy

Director: Mervyn LeRoy

Director: Hobart Henley

Director: Hobart Henley

Director: Victor Halperin

Director: Victor Halperin

Director: Marion Gering
Unofficial DVD

Director: Marion Gering
Unofficial DVD

Director: Jack Conway

Director: Jack Conway

Director: Jack Conway

Director: Jack Conway

Director: Frank Capra
Sony Frank Capra Boxset 4K Blu-ray
Sony Frank Capra Boxset 4K Blu-ray

Director: Frank Capra
Sony Frank Capra Boxset 4K Blu-ray
Sony Frank Capra Boxset 4K Blu-ray

Director: Frank Capra
Sony Frank Capra Boxset 4K Blu-ray
Sony Frank Capra Boxset 4K Blu-ray

Director: Frank Capra
Sony Frank Capra Boxset 4K Blu-ray
Sony Frank Capra Boxset 4K Blu-ray

Sony Frank Capra Boxset 4K Blu-ray
Sony Frank Capra Boxset 4K Blu-ray

Sony Frank Capra Boxset 4K Blu-ray
Sony Frank Capra Boxset 4K Blu-ray



Director: Roy Del Ruth

Director: Roy Del Ruth

Director: Frank Capra

Director: Frank Capra

Director: Billy Wilder
Paramount 4K Blu-ray or Blu-ray
Paramount 4K Blu-ray. See caps HDR/grading: nice, but some blown outEncoding: inconsistent, smeared motionDNR: inconsistent, frozenOld Paramount Blu-ray is arguably a solid alternative choice
Paramount 4K Blu-ray mono is different version of the BD mono from the same old 2000 DVD transfer.
The 5.1 remix on the UHD is an appalling remix done by going wild with artificially generated stems from Park Road Post who were given the surviving mono to separate. The experience is jarring and fidelity to original mix in terms of level balance, directionality and impact is nonexistent. Not only does this sound painfully weird, but the Paramount mixers then did whatever they wanted in terms of LFE, sound pans and effect changes. The original mono mix was not restored and still needs it badly. The 4K master is filled with frozen grain examples coming and going plus some HDR issues in addition to the usual Paramount problems. It is simultaneously better and worse than the BD master.

Director: Billy Wilder
Paramount 4K Blu-ray or Blu-ray
Paramount 4K Blu-ray. See caps HDR/grading: nice, but some blown outEncoding: inconsistent, smeared motionDNR: inconsistent, frozenOld Paramount Blu-ray is arguably a solid alternative choice
Paramount 4K Blu-ray mono is different version of the BD mono from the same old 2000 DVD transfer.
The 5.1 remix on the UHD is an appalling remix done by going wild with artificially generated stems from Park Road Post who were given the surviving mono to separate. The experience is jarring and fidelity to original mix in terms of level balance, directionality and impact is nonexistent. Not only does this sound painfully weird, but the Paramount mixers then did whatever they wanted in terms of LFE, sound pans and effect changes. The original mono mix was not restored and still needs it badly. The 4K master is filled with frozen grain examples coming and going plus some HDR issues in addition to the usual Paramount problems. It is simultaneously better and worse than the BD master.

Director: Frank Capra

Director: Frank Capra


19 films