George Waggner
1 Film
George Waggner
1 Included Film
George Waggner (September 7, 1894 - December 11, 1984) was an American film director, producer and actor. Born in New York City, he made his film debut as Yousayef in The Sheik (1921). He later went on to appearances in Western films. The first film he directed was Western Trails (1938) and his most well-known directorial effort arguably remains The Wolf Man (1941). In the 1960s, he directed episodes of the television series Maverick, Batman, The Green Hornet, and The Man from U.N.C.L.E.. He also directed John Wayne and Oliver Hardy wearing coonskin caps in The Fighting Kentuckian (1949), in which his daughter, Shy Waggner, appeared in a cameo. Waggner's career in film declined in the 1950s, due to the popularity of television, and he eventually moved to television late in the decade. Many of his television credits, such as Maverick and Batman, have his name spelled as "george waGGner." He also directed Red Nightmare, a Cold War propaganda film produced by the Department of Defense and narrated by Jack Webb. Waggner wrote the film Queen of the Yukon with Jack London. His wife was Danny Shannon. The couple had only one child, Shy, born in 1924. and two grandchildren Sherry and Robert. Description above from the Wikipedia article George Waggner, licensed under CC-BY-SA, full list of contributors on Wikipedia
Director: George Melford
Kino Lorber OOP Blu-ray is exactly the same restoration as the later Paramount Blu-ray, however Paramount Blu-ray runs at a much faster 24fps while Kino Lorber runs at 21fps. According to Paul Cuff's research into the correct fps and length, Kino Lorber is closest to the original 22fps by repeating frames to achieve 21fps in 24fps.
Kino Lorber has the same Bellon score as Paramount VHS and Paramount Blu-ray, but obviously Paramount Blu-ray runs a faster tempo due to changed fps
The Bellon score never uses the “Kashmiri Song” that is cited in the film’s intertitles and sung by Valentino on screen. This may well be because the intertitles of the VHS version (for which the score was composed) are from the reissue print, which changes the wording of the Sheik’s song—and thus loses the context of the original song.
While no substitute for a real orchestra, the theatre organ score by Ben Model for the Kino Lorber edition at least quotes the “Kashmiri Song” at the appropriate moments.
Read more in the realm of silence review
Director: George Melford
Kino Lorber OOP Blu-ray is exactly the same restoration as the later Paramount Blu-ray, however Paramount Blu-ray runs at a much faster 24fps while Kino Lorber runs at 21fps. According to Paul Cuff's research into the correct fps and length, Kino Lorber is closest to the original 22fps by repeating frames to achieve 21fps in 24fps.
Kino Lorber has the same Bellon score as Paramount VHS and Paramount Blu-ray, but obviously Paramount Blu-ray runs a faster tempo due to changed fps
The Bellon score never uses the “Kashmiri Song” that is cited in the film’s intertitles and sung by Valentino on screen. This may well be because the intertitles of the VHS version (for which the score was composed) are from the reissue print, which changes the wording of the Sheik’s song—and thus loses the context of the original song.
While no substitute for a real orchestra, the theatre organ score by Ben Model for the Kino Lorber edition at least quotes the “Kashmiri Song” at the appropriate moments.
Read more in the realm of silence review
1 film