Best Blurays IconBest Blurays
Cast
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Stanton Rutledge

Stanton Rutledge

2 Films

Stanton Rutledge

2 Included Films

Pleasantville poster
Letterboxd
UHD Blu-ray
Best English-Friendly:

Shout! Factory 4K Blu-ray, but a shot was cut from the film

Warner Bros Blu-ray for the uncut version, but it's a older master.

Best Video:

Shout! Factory 4K Blu-ray, but a shot was cut from the film. See comparison

Warner Bros Blu-ray for the uncut version, but it's a older master.

Pleasantville poster
UHD Blu-ray
Best English-Friendly:

Shout! Factory 4K Blu-ray, but a shot was cut from the film

Warner Bros Blu-ray for the uncut version, but it's a older master.

Best Video:

Shout! Factory 4K Blu-ray, but a shot was cut from the film. See comparison

Warner Bros Blu-ray for the uncut version, but it's a older master.

UHD Blu-ray
Best English-Friendly:

Universal 4K Blu-ray

Best Video:

Universal 4K Blu-ray 25th Anniversary Edition (with Dolby Vision), comparisons: #1, #2

The 2026 re-release corrects cropping and grading on some VFX shots, otherwise it's the same master with better encoding.

Best Audio:

Original 5.1 mix: Universal Blu-ray

The old BD (2009 with many later identical re-releases) is very good, compared even to the theatrical DTS track, over which it has a slight edge thanks to discrete LFE (as theatrical DTS tracks derive LFE from other channels).

The 2018 4K includes a relatively tasteful DTS:X remix, the 2026 #4K includes a more revisionistic Dolby Atmos remix, with more added foley effects and a significant frequency roll-off. Neither of the remixes is as punchy as the original mix.

Best English-Friendly:

Universal 4K Blu-ray

Best Video:

Universal 4K Blu-ray 25th Anniversary Edition (with Dolby Vision), comparisons: #1, #2

The 2026 re-release corrects cropping and grading on some VFX shots, otherwise it's the same master with better encoding.

Best Audio:

Original 5.1 mix: Universal Blu-ray

The old BD (2009 with many later identical re-releases) is very good, compared even to the theatrical DTS track, over which it has a slight edge thanks to discrete LFE (as theatrical DTS tracks derive LFE from other channels).

The 2018 4K includes a relatively tasteful DTS:X remix, the 2026 #4K includes a more revisionistic Dolby Atmos remix, with more added foley effects and a significant frequency roll-off. Neither of the remixes is as punchy as the original mix.

2 films