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Gertrude Astor

Gertrude Astor

30 films on Best Blurays4 in 4K23 in HD3 in SD

Gertrude Astor photo

Gertrude Astor (Born Gertrude Eyster November 9, 1887 – November 9, 1977) was an American motion picture character actress, who began her career playing trombone on a riverboat. Born in Lakewood, Ohio, Astor at the age of 12 ran off and joined a woman's band as a trombone player and toured the states. In New York she left the band to obtain film work and got a job as an extra before her career took off. Astor was a prolific performer, between 1915 and 1962 she appeared in over 250 movies. Her first known credit is in a Biograph short in 1915. She then became a contract player at Universal. A tall, angular and beautiful woman, Astor frequently towered over the leading men of the era; thus, she was most frequently utilized in comedy roles as aristocrats, golddiggers and "heroine's best pal". Her best-known silent appearances were as the visiting stage star in Stage Struck (1925) with Gloria Swanson, as the vamp who plants stolen money on Harry Langdon in The Strong Man (1926), and as Laura LaPlante's wisecracking travelling companion in The Cat and the Canary (1927). Astor worked prolifically at Hal Roach studios with such headliners as Laurel and Hardy, Our Gang, and especially Charley Chase. She was also kept busy at Columbia Pictures' short subjects unit. She continued to play bits in feature films throughout the 1940s, 1950s, and 1960s. She was briefly glimpsed as the first murder victim in the Sherlock Holmes adventure The Scarlet Claw and was among the ranks of dress extras in 1956's Around the World in Eighty Days. Her last appearance was in John Ford's The Man Who Shot Liberty Valance. In her later years, Astor was a welcome guest at several Sons of the Desert gatherings, and became an honorary member of the Way Out West tent. She died in Woodland Hills, California from a stroke. She is interred in the Abbey of Psalms in the Hollywood Forever Cemetery in Hollywood, CA.

Biography from TMDB

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Leading role · Director: Allan Dwan

Best English-Friendly & Video:

Kino Lorber OOP Blu-ray

Supporting role · Director: Frank Capra

Best English-Friendly & Video:

Kino Lorber DVD

Supporting role · Director: Paul Leni

Best English-Friendly & Video:

Theatrical/Original A negative: MoC Blu-ray

European C/D negative but better picture quality: Kino Lorber 4K Blu-ray

Sources: slow.pics (opens in a new tab)

Video Notes:

From DVDBeaver: The MoC Blu-ray is scanned from the American A negative, as opposed to the European C or D negatives used by Photoplay and others (Kino Lorber 4K Blu-ray), so it is identical with the film US audiences saw in 1927

See caps for comparison

In addition, the Kino Lorber 4K Blu-ray has sepia tinting throughout while the MoC Blu-ray has yellow for normal scenes, blue for night scenes, and some even green tintings.

Supporting role · Director: Clarence Brown

Best English-Friendly & Video:

WB DVD

Small role · Director: John Cromwell

Best English-Friendly & Video:

Warner Archive Blu-ray

Small role · Director: Irving Reis

Best English-Friendly & Video:

Warner Archive Blu-ray

Video Notes:

4K restoration from Original Camera Negative

Small role · Director: George Waggner

4K · Excellent
Best English-Friendly & Video:

Universal 4K Blu-ray

Small role · Director: Otto Preminger

Best English-Friendly & Video:

Warner Archive Blu-ray

Small role · Director: John M. Stahl

Best English-Friendly & Video:

Criterion Blu-ray

Sources: Criterion Forum (opens in a new tab) · caps-a-holic (opens in a new tab)

Video Notes:

Criterion Blu-ray has minimally better encoding than Twilight Time Blu-ray see caps

Small role · Director: Douglas Sirk

Best English-Friendly & Video:

Kino Lorber or Universal or Arrow Blu-ray

Sources: DVDBeaver (opens in a new tab)

Video Notes:

Kino Lorber Blu-ray is superior to France Elephant Films Blu-ray see caps but no comparisons on Universal or Arrow

Small role · Director: Jacques Tourneur

Best English-Friendly & Video:

Warner Archive Blu-ray

Small role · Director: John Ford

Best English-Friendly & Video:

Warner Archive Blu-ray

Small role · Director: Harry A. Pollard

Best English-Friendly & Video:

Kino Lorber Blu-ray

Small role · Director: George Stevens

Best English-Friendly & Video:

Australia Imprint Blu-ray

Sources: caps-a-holic (opens in a new tab)

Video Notes:

Australia Imprint Blu-ray marginally better than Paramount Blu-ray see caps

Small role · Director: Alexander Hall

Best English-Friendly & Video:

R1 Sony DVD

Video Notes:

(Icons of Screwball Comedy Vol 2)

Small role · Director: George Cukor

Best English-Friendly & Video:

Theatrical cut / Roadshow cut: 35mm scans

Restored cut: WB Blu-ray

Small role · Director: Mitchell Leisen

Best English-Friendly & Video:

Universal Blu-ray

Small role · Director: Mitchell Leisen

Best English-Friendly & Video:

Arrow Blu-ray

Small role · Director: Billy Wilder

4K · Solid
Best English-Friendly:

Paramount 4K Blu-ray or Blu-ray

Sources: slow.pics (opens in a new tab)

Video Notes:

Paramount 4K Blu-ray. See caps
HDR/grading: nice, but some blown out
Encoding: inconsistent, smeared motion
DNR: inconsistent, frozen
Old Paramount Blu-ray is arguably a solid alternative choice

Best Audio:

Paramount 4K Blu-ray mono

Audio Notes:

Paramount 4K Blu-ray mono is different version of the Blu-ray mono from the same old 2000 DVD transfer.

Additional Info:

The 5.1 remix on the 4K Blu-ray is an appalling remix done by going wild with artificially generated stems from Park Road Post who were given the surviving mono to separate. The experience is jarring and fidelity to original mix in terms of level balance, directionality and impact is nonexistent. Not only does this sound painfully weird, but the Paramount mixers then did whatever they wanted in terms of LFE, sound pans and effect changes.
The original mono mix was not restored and still needs it badly. The 4K master is filled with frozen grain examples coming and going plus some HDR issues in addition to the usual Paramount problems. It is simultaneously better and worse than the Blu-ray master.

Small role · Director: W.S. Van Dyke

Best English-Friendly & Video:

Warner Archive Blu-ray

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