Gertrude Astor
26 Films
Gertrude Astor
26 Included Films

Gertrude Astor (Born Gertrude Eyster November 9, 1887 – November 9, 1977) was an American motion picture character actress, who began her career playing trombone on a riverboat. Born in Lakewood, Ohio, Astor at the age of 12 ran off and joined a woman's band as a trombone player and toured the states. In New York she left the band to obtain film work and got a job as an extra before her career took off. Astor was a prolific performer, between 1915 and 1962 she appeared in over 250 movies. Her first known credit is in a Biograph short in 1915. She then became a contract player at Universal. A tall, angular and beautiful woman, Astor frequently towered over the leading men of the era; thus, she was most frequently utilized in comedy roles as aristocrats, golddiggers and "heroine's best pal". Her best-known silent appearances were as the visiting stage star in Stage Struck (1925) with Gloria Swanson, as the vamp who plants stolen money on Harry Langdon in The Strong Man (1926), and as Laura LaPlante's wisecracking travelling companion in The Cat and the Canary (1927). Astor worked prolifically at Hal Roach studios with such headliners as Laurel and Hardy, Our Gang, and especially Charley Chase. She was also kept busy at Columbia Pictures' short subjects unit. She continued to play bits in feature films throughout the 1940s, 1950s, and 1960s. She was briefly glimpsed as the first murder victim in the Sherlock Holmes adventure The Scarlet Claw and was among the ranks of dress extras in 1956's Around the World in Eighty Days. Her last appearance was in John Ford's The Man Who Shot Liberty Valance. In her later years, Astor was a welcome guest at several Sons of the Desert gatherings, and became an honorary member of the Way Out West tent. She died in Woodland Hills, California from a stroke. She is interred in the Abbey of Psalms in the Hollywood Forever Cemetery in Hollywood, CA.
Director: Allan Dwan
Director: Allan Dwan
Director: Frank Capra
Director: Frank Capra
Director: Paul Leni
Director: Paul Leni
Director: Harry A. Pollard
Director: Harry A. Pollard
Director: Clarence Brown
Director: Clarence Brown
Director: W.S. Van Dyke
Director: W.S. Van Dyke
Director: Mitchell Leisen
Director: Mitchell Leisen
Director: George Waggner
Director: George Waggner
Director: John M. Stahl
Director: John M. Stahl
Director: Charlie Chaplin
Director: Charlie Chaplin
Director: John Ford
Director: John Ford
Director: Billy Wilder
Paramount 4K Blu-ray or Blu-ray
Paramount 4K Blu-ray. See caps
HDR/grading: nice, but some blown out
Encoding: inconsistent, smeared motion
DNR: inconsistent, frozen
Old Paramount Blu-ray is arguably a solid alternative choice
Paramount 4K Blu-ray mono is different version of the BD mono from the same old 2000 DVD transfer.
The 5.1 remix on the UHD is an appalling remix done by going wild with artificially generated stems from Park Road Post who were given the surviving mono to separate. The experience is jarring and fidelity to original mix in terms of level balance, directionality and impact is nonexistent. Not only does this sound painfully weird, but the Paramount mixers then did whatever they wanted in terms of LFE, sound pans and effect changes.
The original mono mix was not restored and still needs it badly. The 4K master is filled with frozen grain examples coming and going plus some HDR issues in addition to the usual Paramount problems. It is simultaneously better and worse than the BD master.
Director: Billy Wilder
Paramount 4K Blu-ray or Blu-ray
Paramount 4K Blu-ray. See caps
HDR/grading: nice, but some blown out
Encoding: inconsistent, smeared motion
DNR: inconsistent, frozen
Old Paramount Blu-ray is arguably a solid alternative choice
Paramount 4K Blu-ray mono is different version of the BD mono from the same old 2000 DVD transfer.
The 5.1 remix on the UHD is an appalling remix done by going wild with artificially generated stems from Park Road Post who were given the surviving mono to separate. The experience is jarring and fidelity to original mix in terms of level balance, directionality and impact is nonexistent. Not only does this sound painfully weird, but the Paramount mixers then did whatever they wanted in terms of LFE, sound pans and effect changes.
The original mono mix was not restored and still needs it badly. The 4K master is filled with frozen grain examples coming and going plus some HDR issues in addition to the usual Paramount problems. It is simultaneously better and worse than the BD master.
Director: Joseph L. Mankiewicz
Director: Joseph L. Mankiewicz
Director: John Cromwell
Director: John Cromwell
Director: Douglas Sirk
Kino Lorber or Universal or Arrow Blu-ray
Kino Lorber or Universal or Arrow Blu-ray
Kino Lorber Blu-ray is superior to France Elephant Films Blu-ray see caps but no comparisons on Universal or Arrow
Director: Douglas Sirk
Kino Lorber or Universal or Arrow Blu-ray
Kino Lorber or Universal or Arrow Blu-ray
Kino Lorber Blu-ray is superior to France Elephant Films Blu-ray see caps but no comparisons on Universal or Arrow
Director: Otto Preminger
Director: Otto Preminger
Director: Stanley Donen
Director: Stanley Donen
26 films



















