
Biography from TMDB
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Supporting role · Director: Paul Leni
Theatrical/Original A negative: MoC Blu-ray
European C/D negative but better picture quality: Kino Lorber 4K Blu-ray
Sources: slow.pics (opens in a new tab)
From DVDBeaver: The MoC Blu-ray is scanned from the American A negative, as opposed to the European C or D negatives used by Photoplay and others (Kino Lorber 4K Blu-ray), so it is identical with the film US audiences saw in 1927
See caps for comparison
In addition, the Kino Lorber 4K Blu-ray has sepia tinting throughout while the MoC Blu-ray has yellow for normal scenes, blue for night scenes, and some even green tintings.
Supporting role · Director: Clarence Brown
Small role · Director: Irving Reis
4K restoration from Original Camera Negative
Small role · Director: John M. Stahl
Sources: Criterion Forum (opens in a new tab) · caps-a-holic (opens in a new tab)
Criterion Blu-ray has minimally better encoding than Twilight Time Blu-ray see caps
Small role · Director: Douglas Sirk
Kino Lorber or Universal or Arrow Blu-ray
Sources: DVDBeaver (opens in a new tab)
Kino Lorber Blu-ray is superior to France Elephant Films Blu-ray see caps but no comparisons on Universal or Arrow
Small role · Director: Alexander Hall
Small role · Director: George Cukor
Small role · Director: Mitchell Leisen
Small role · Director: Mitchell Leisen
Small role · Director: Billy Wilder
Sources: slow.pics (opens in a new tab)
Paramount 4K Blu-ray. See caps
HDR/grading: nice, but some blown out
Encoding: inconsistent, smeared motion
DNR: inconsistent, frozen
Old Paramount Blu-ray is arguably a solid alternative choice
Paramount 4K Blu-ray mono
Paramount 4K Blu-ray mono is different version of the Blu-ray mono from the same old 2000 DVD transfer.
The 5.1 remix on the 4K Blu-ray is an appalling remix done by going wild with artificially generated stems from Park Road Post who were given the surviving mono to separate. The experience is jarring and fidelity to original mix in terms of level balance, directionality and impact is nonexistent. Not only does this sound painfully weird, but the Paramount mixers then did whatever they wanted in terms of LFE, sound pans and effect changes.
The original mono mix was not restored and still needs it badly. The 4K master is filled with frozen grain examples coming and going plus some HDR issues in addition to the usual Paramount problems. It is simultaneously better and worse than the Blu-ray master.
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