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Lindsey Normington

Lindsey Normington

1 Film

Lindsey Normington

1 Included Film

Lindsey Normington photo

Lindsey Elaine Normington (born 24 July 1996) is an actress, director, writer, and stripper best known for her role as Diamond, the antagonistic coworker of the titular character in Sean Baker's Palme d'Or and Academy Award-winning film Anora (2024). She also organized the first unionized strip club in the United States. Normington grew up in Rockford, Michigan. At age 7, she saw a high school production of Little Shop of Horrors which inspired her to perform in plays and musicals all throughout her childhood and teenage years. She graduated from Grand Valley State University (GVSU) in 2018, where she played Sally Bowles in a college production of Cabaret. In 2018, as a senior at GVSU, she created a one-person show called Figurehead that was an official selection at the 2019 United Solo Festival in New York City, where she earned the award of Best Emerging Actress In 2023, Normington co-directed the narrative short How To (Without A Doubt) Get Rich And Famous In LA that won the Open Projector Night award from the Grand Rapids Film Society. Normington has appeared on television as a background dancer in The Idol and Blindspotting, in music videos for Five Finger Death Punch, Ghost, girl in red and She Past Away, as well as a lead actress in several short films. In 2024, she played a supporting role in Anora. In 2025, she had a speaking role in the HBO series Hacks and was added to the cast of Margot's Got Money Troubles. In 2023, she played an active role in organizing the only unionized strip club in the United States, the Star Garden in Hollywood.

Anora poster
UHD Blu-ray
Best English-Friendly:

Criterion/Capelight Germany/Madman Australia 4K Blu-ray

Best Video:

Neither Criterion nor Germany Capelight 4K Blu-ray has good encoding https://slow.pics/c/bWhRoxpi also see Criterion review with disappointing compression per Geoff D

See nic's review for more: https://forum.blu-ray.com/showpost.php?p=23180007&postcount=29.

Since posting this, I watched the Capelight in full and the anomalies the caps reveal didn’t bother me in motion. I did look out for issues and can’t really complain. The trickiest scenes are those set in daylight, particularly in the third act, and the Criterion looks terrible here. Unfortunately the caps are just from the first hour but in doing comparisons with the discs, I noticed that Capelight managed to resolve detail more evenly and makes for a more satisfying experience in my mind.

Australia Madman is very similar to Criterion, see caps provided by Joel https://slow.pics/c/9MDRLoOl and https://slow.pics/c/1EVsFQCZ

Anora poster
UHD Blu-ray
Video:

Neither Criterion nor Germany Capelight 4K Blu-ray has good encoding https://slow.pics/c/bWhRoxpi also see Criterion review with disappointing compression per Geoff D

See nic's review for more: https://forum.blu-ray.com/showpost.php?p=23180007&postcount=29.

Since posting this, I watched the Capelight in full and the anomalies the caps reveal didn’t bother me in motion. I did look out for issues and can’t really complain. The trickiest scenes are those set in daylight, particularly in the third act, and the Criterion looks terrible here. Unfortunately the caps are just from the first hour but in doing comparisons with the discs, I noticed that Capelight managed to resolve detail more evenly and makes for a more satisfying experience in my mind.

Australia Madman is very similar to Criterion, see caps provided by Joel https://slow.pics/c/9MDRLoOl and https://slow.pics/c/1EVsFQCZ

1 film

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