Debra Monk
4 Films
Debra Monk
4 Included Films
From Wikipedia, the free encyclopedia. Debra Monk (born February 27, 1949) is an American actress, singer, and writer, best known for her performances on the Broadway stage. Monk has received a Tony Award and Emmy Awards. Monk was born in Middletown, Ohio. She was voted "best personality" by the graduating class at Wheaton High School in Silver Spring,Maryland. She graduated from Frostburg State University in 1973. In 1975, Monk received a Master of Fine Arts degree from Southern Methodist University in Dallas, Texas. Monk garnered first attention in theatrical circles as one of the co-writers and co-stars of the 1982 musical Pump Boys and Dinettes. She has won the Tony Award for Best Featured Actress in a Play for performance in Redwood Curtain (1993). She also was nominated an Tony Award for roles in Picnic (1994), Steel Pier (1997), and Curtains (2007). In 2000, she has won Obie Award for The Time of the Cuckoo. Monk has appeared in over 30 films as of early 1990s. She made her film debut in the movie version of Prelude to a Kiss, playing Aunt Dorothy. She later appeared in The Bridges of Madison County and The Devil's Advocate. On television, she has won a Primetime Emmy Award for Outstanding Guest Actress in a Drama Series for recurring performance as Katie Sipowicz in the ABC series, NYPD Blue. She also guest-starred on Law & Order, Desperate Housewives, The Closer, and Girls. Monk had a recurring roles in A Nero Wolfe Mystery (2001-2002), Grey's Anatomy (2006-2011), and Damages (2007-2012).
Director: Peter Weir
Director: Peter Weir
Theatrical Cut with unaltered sculpture: Initial DVD
Altered Cut: Shout Factory 4K Blu-ray
Theatrical Cut with unaltered sculpture: Initial DVD with this red message: "The large white sculpture of human forms on the wall of John Milton's penthouse in "The Devil's Advocate" is not connected in any way and was not endorsed by the sculptor Frederick Hart or the Washington National Cathedral, joint copyright owners of the Cathedral sculpture "Ex Nihilo" in Washington D.C.".
Altered Cut: Shout Factory 4K Blu-ray see caps
, Shout Factory 4K Blu-ray is more filtered than Warner Bros Blu-ray, although differences may not be audible.
(While the LaserDisc 2.0 is reportedly better clarity in dialogue?)
DV Plot. For those curious, the sculpture is still the altered one found on the re-issued DVDs, and previous Blu-ray.
5.1 audio on the Shout (either be 1080p or 2160p) was 16-bit, with more roll-off than the Warners one, the Warners was very similar to the NTSC and in terms of balance of the mix, while the Shout seems to be tinkered with, with the score at the beginning and at the end sounding worse on Shout.
Audio Comparisons: Slow.pics
For the regular commentary found on the NTSC DVD "Original Version" (there's no difference including the other NTSC DVD), Shout or Warners; the Shout commentary was just a bloated lossy transcode with some EQ. The best one was from either of the two DVDs.
Commentary Comparisons: Slow.pics
Now there's another commentary; it's basically the same commentary but has some parts different than the others, it can be found on EUR PAL DVD with subs for said commentary. The subs for it doesn't sync for the commentary #1 and vice-versa. Samples
Theatrical Cut with unaltered sculpture: Initial DVD
Altered Cut: Shout Factory 4K Blu-ray
Theatrical Cut with unaltered sculpture: Initial DVD with this red message: "The large white sculpture of human forms on the wall of John Milton's penthouse in "The Devil's Advocate" is not connected in any way and was not endorsed by the sculptor Frederick Hart or the Washington National Cathedral, joint copyright owners of the Cathedral sculpture "Ex Nihilo" in Washington D.C.".
Altered Cut: Shout Factory 4K Blu-ray see caps
, Shout Factory 4K Blu-ray is more filtered than Warner Bros Blu-ray, although differences may not be audible.
(While the LaserDisc 2.0 is reportedly better clarity in dialogue?)
DV Plot. For those curious, the sculpture is still the altered one found on the re-issued DVDs, and previous Blu-ray.
5.1 audio on the Shout (either be 1080p or 2160p) was 16-bit, with more roll-off than the Warners one, the Warners was very similar to the NTSC and in terms of balance of the mix, while the Shout seems to be tinkered with, with the score at the beginning and at the end sounding worse on Shout.
Audio Comparisons: Slow.pics
For the regular commentary found on the NTSC DVD "Original Version" (there's no difference including the other NTSC DVD), Shout or Warners; the Shout commentary was just a bloated lossy transcode with some EQ. The best one was from either of the two DVDs.
Commentary Comparisons: Slow.pics
Now there's another commentary; it's basically the same commentary but has some parts different than the others, it can be found on EUR PAL DVD with subs for said commentary. The subs for it doesn't sync for the commentary #1 and vice-versa. Samples
Director: Todd Solondz
Radiance 4K Blu-ray, solid upgrade and the increase in resolution works well with the 16mm source in making it appear a bit more film-like than the Blu-ray, which is obviously very good as well
Director: Todd Solondz
Radiance 4K Blu-ray, solid upgrade and the increase in resolution works well with the 16mm source in making it appear a bit more film-like than the Blu-ray, which is obviously very good as well
4 films